That stands for dead on yer asses.
Tag: Electronic Arts
It Came From Origin Premiere: Let’s Talk Star Wars Jedi: Fallen Order

Boy what a ride.
Star Wars Jedi: Fallen Order is the most video game-ass video game to come from the AAA sector in recent memory. It makes me a bit sad to recognize the fact that this is the first Star Wars game in over a decade that feels like it was made foremost to be a fun game and not to be a vehicle for disgustingly greedy microtransactions. In fact, the game doesn’t have microtransactions period. I know, right? From a subsidiary of Electronic Arts and in 2019 no less.
There are a lot of things that Fallen Order does not have. It doesn’t have a tacked-on half-baked multiplayer mode that would be dead within a month. It does not have shoddily-implemented RPG mechanics to artificially extend the game’s lifetime by forcing the player to grind for gear with incrementally higher numbers. There are no daily missions, no loot boxes, no weekly checklists or login rewards. No season passes or ridiculous cosmetics to give Vade pink armor. It’s like the developers at Respawn fell out of 1998 and said “let’s make a modern Star Wars game.”
Fallen Order is set shortly after the events of Revenge of the Sith. The Jedi are mostly wiped out, Yoda and Obi Wan are headed to their respective hidey holes for the next couple of decades, and the newly formed Empire is on the prowl wiping out the good guys wherever they may be hiding. Luke and Leia are probably just reaching the age of saying their first words, so don’t count on them for help. You are Cal Kestis, a name you’ll probably forget about two minutes after hearing it. Cal is living his life as a normal scrap miner (who would have thought) when his life is flipped turned upside down; the Empire knows he’s a Jedi. With the help of the mysterious Cere Junda (played by Debra Wilson) and space pilot from Space Bronx Greez Dritus (Daniel Roebuck), your goal is to rebuild the Jedi Order.

1. Exploration Is Encouraged, Not Forced
Exploration in Fallen Order tastes like Respawn made a gumbo using a 50/50 blend of Metroid and Uncharted. You’ll visit several planets over your trip that amount to a variety of open world locations with twisted, winding paths and a variety of local wildlife. Each zone basically amounts to taking the long way to your goal while simultaneously opening up shortcuts for when you come back. And you’ll come back, they always come back. After all, you’ll need to return to the planets you’ve visited (of which there are roughly half a dozen) to unlock new areas.
As you journey through the world, you’ll obtain new force powers, upgrade your BD-1 unit to access more areas of the map, and find more unlockables. The unlockables are wholly optional and amount to new cosmetics, bits of lore, and doodads that incrementally increase your max health/force. The map is also very handy for showing you areas that you can access and those that you can’t, so you’ll never be scouring an area for a frustratingly long amount of time wondering where to go next.
2. The Darkest of Souls
I am legally obligated to point out that Fallen Order is the Dark Souls of Star Wars games, and the analogy actually works this time. Let me summarize: Fallen Order is a game where your capabilities in combat are tuned around timing your strikes, parries, and rolling dodges. You come up against enemies, many of whom can strike you down within a handful of well-placed hits. Defeating enemies grants you experience that translates into skill points that must be spent at meditation points. If you die in battle, you lose your accumulated unspent points and must go back and strike the NPC that hit you to get them back. Meditating, dying, and leaving resets all enemies on the map. For healing you have limited stims (estus flasks).
For Soulsborne fans, I recommend playing on higher difficulties. Respawn’s difficulty system is rather ingenious in that it doesn’t change much. Lower difficulties make enemies hit for less damage and moderately increase the parry window. Regardless, this game will beat the crap out of you on pretty much any mode except for Story Mode. You are expected to die, and die a lot.

3. Artificial Unintelligence
That being said, Fallen Order can be cheesed by playing the game in ways that it was clearly not meant to be played.
Fallen Order’s artificial intelligence is fantastic in a very closed environment. Respawn manages to keep a tense atmosphere from start to finish by pitting you in a world where even the lowliest stormtrooper can knock you silly if you aren’t careful enough. Enemies parry your attacks, anticipate your movements, and generally fight like intelligent creatures with real experience.
Pull it out of that environment, and Respawn’s AI falls apart. I was able to get through several areas that should have been difficult simply by force pulling mini-bosses into adjacent rooms. The mini-bosses didn’t understand the layout and ignored me bashing at them with my lightsaber while slowly waltzing back to their zone. Mobs will often just stop pursuing you at the boundary point between rooms at which point they just sort of shut off and won’t acknowledge your presence until you walk back into their zone. Even worse than the dead-brain mode when getting pulled into other rooms, I found that some mobs will just hit a kill switch and die if they wind up on unfamiliar terrain. It kills the atmosphere when you pull a mini-boss on to solid ground and he just keels over for no reason.
When it works, it works. The few lightsaber battles you’ll get into with Fallen Order’s bosses are some of the best since the old Star Wars Jedi Knight titles. You’ll go from getting your ass completely kicked by a boss to doing better, then even getting an advantage, and finally you’ll be finishing the fight without taking more than a couple of hits. And you’ll know that you accomplished that on your own, not because you min-maxed or overleveled the game but because you paid attention and learned the cues.

4. I F*#@ING LOVE STAR WARS
My interest in Star Wars in general has been rekindled thanks to the impressive launch of The Mandalorian, and Fallen Order couldn’t come at a better time for the franchise. This game has a lot of what you’d want out of a Star Wars Jedi game. Customizing your lightsaber? You can do it, even though it’s a thing you don’t exactly see the details of when it is slicing through a stormtrooper. Your lightsaber works like a lightsaber should, cutting things in half with ease. The game does make tougher enemies take more hits which can pull out of the experience, but you have to make some compromises otherwise you’d be the One Punch Man of a galaxy far far away.
Fighting AT-ST’s? Check. Scaling the side of an AT-AT Walker? Double check. One of my favorite bits showcasing the attention to detail is in the stormtrooper dialogue. You can sneak up on stormtroopers and hear them chattering amongst themselves (“it’s your turn to fill out casualty reports!”) and it’s just jump up on a group of soldiers to hear them amping themselves up for the battle only to see that enthusiasm drop away as their comrades fall one by one.
The gameplay and story are compelling enough to make you almost forget that Cal is on a path of failure. Yea, Fallen Order takes place within the canonical universe of Star Wars. In case you hadn’t noticed by the end of Return of the Jedi, the Jedi Order is still not a thing. The ending isn’t clear until well after the three quarter mark, when you kind of get an idea as to how everything is going to summarize itself. It is a powerful ending and one that makes sense in the greater universe. After all, the future does not know who Cal Kestis is.
If I had to nitpick, I’d also point out that the game does absolutely nothing to explain or acknowledge the fact that Cal respawns at meditation points when he dies, or the fact that zones respawn when you meditate. In Dark Souls the mechanic makes sense, here it’s thrown in with no real connection to the world or lore.
5. In Conclusion
Star Wars Jedi: Fallen Order is not an open world RPG but instead a mostly linear storytelling experience with some optional exploration sprinkled in. It tells a great story though, one that gives me hope for the future of Star Wars as a video game franchise (one which ironically was also killed by the same publisher). Fallen Order has great characters, a fantastic story, and combat mechanics that keep the game exciting from the moment you pick it up to the moment you put it down and the credits roll.
Finishing the main story without doing much in the way of exploring the optional mechanics took me roughly fifteen hours and some change. Your mileage may vary. That said, there is little in the way of replayability outside of going back and roughing through the game at a higher difficulty.

If playing on PC, I highly recommend just footing the month of Origin Premiere and playing through Fallen Order over the weekend for $15 and then spend the rest of the month doing whatever with the remaining library of games. For Xbox or PS4? Rent it from your local Redbox. It’s a fantastic game by all means, but I feel like most people will be done with it once the first playthrough is over with.
PSA: Need For Speed: Heat Will Be (Almost) 50% Off This Month

Need For Speed: Heat is the latest title in the popular Need for Speed franchise, and those of you who went out of your way to buy it on day one are set to be rewarded by paying a $30 premium for a couple of weeks head start. Need for Speed is going on heavy discount this Black Friday.
Target this past week released their Black Friday ad which runs from November 28-30 and Need For Speed is about to get a substantial discount. $35 in fact, down from its current asking price of $59.99. The $35 sale includes “over 10 games” and also contains recent releases like Borderlands 3, NHL 20, and Monster Hunter with Iceborne. We do not know what the other titles are that are included in the sale.
Need For Speed: Heat launched on November 8 and notably released with no microtransactions.
EA Struggles With the Perception They Are Bad Guys
You may or may not know this, but EA has a bit of an image problem. They are consistently denied awards by their industry peers, they are booed at award ceremonies, and consumers won’t stop bringing up their past.
Gamesindustry.biz has an article talking about the EA Originals program, where the massive publisher has been taking independent developers under its wing and fostering a supporting environment that doesn’t quite match up with the company that built up a reputation for its proverbial graveyard of acquisitions. EA Originals is different; the developers are happy, they are allowed to put out experimental titles and reap all of the profits. All EA takes from sales are enough to cover its costs of marketing and publishing the game.
And yet the company just can’t shed its perception of being a pantomime villain.
“25 years at EA and I still struggle with the external perception that we’re just a bunch of bad guys,” says Matt Bilbey, EVP of strategic growth at EA. “We love making and playing games. Unfortunately, when we make mistakes on games, the world knows about it because it’s of a size and scale.”
You can read the entire article here if you’d like, although it seems less like a come to Jesus moment for the developer and more GI.biz running a sponsored piece for EA to pat itself on the back and talk about how great its subscription service is. Maybe if Matt Bilbey paid the minimum attention to the company and what people are saying, he would understand why EA has gained the reputation that it has. Otherwise this reads like another shining example of just how out of touch EA is with its own customers.
EA’s Loot Boxes Are ‘Quite Ethical,” Says EA
If there’s a company at the forefront of predatory and unethical business conduct in the gaming industry, it has to be Electronic Arts. From the company that brought about the high profile disasters of Mass Effect: Andromeda and Anthem to the wholly panned monetization schemes originally present in Battlefront II, Electronic Arts has become the poster child for various governments looking to put an end to what they perceive as video game publishers coercing children into gambling habits.
But Electronic Arts doesn’t consider what they are selling to be loot boxes, as noted by the VP of legal and government affairs at EA Kerry Hopkins. Speaking to the UK Digital, Culture, Media, and Sports Committee, Hopkins referred to loot boxes as “surprise mechanics” and stated that they are indeed quite ethical. It’s hard not to see this as a company desperately defending its questionable and highly lucrative business practices in the face of increasing threat of government regulation around the world.
Then again, perhaps we don’t need to hear about ethics from the company who patented a method to make subtle adjustments to a game’s difficulty in order to encourage more microtransaction purchases.
Source: PCGamesN
[NM] Kotaku Investigates Bioware, Bioware Makes It Worse
The only constants in life are death and taxes. The only constants in the gaming industry are EA (or a subsidiary) creating its own PR nightmare and then making the situation worse in response.
If you’ve been following the tale of Anthem and its alleged six year development cycle, today’s investigative piece by Kotaku’s Jason Schreier may not be that surprising to you. Titled “How Bioware’s Anthem Went Wrong,” Schreier talks to no less than 19 ex-Bioware employees who had been involved in the development of the game. The story is a tale of ineffective leadership, understaffed teams, and various departments either unwilling or unable to work together to put a cohesive and thought out plan together. While EA may tout that the game has been in the works for six years, according to employees the majority of the game was built in the last 12-16 months.
Bioware responded with a very stern letter to the public addressing the article. The response is quite baffling as the developer hides behind its declared passion for its customers, concluding with a thinly veiled attack at Kotaku that the article exposing Bioware’s poor working conditions and indifferent management is somehow a detriment to the industry and craft.
“People in this industry put so much passion and energy into making something fun. We don’t see the value in tearing down one another, or one another’s work. We don’t believe articles that do that are making our industry and craft better.”
And here’s the kicker; You may notice that the letter from Bioware doesn’t actually address any of the specific statements made in Kotaku’s article. That’s because Bioware’s response went up mere minutes after Kotaku published their piece. The folks responding to the article didn’t even bother to read it, and it also means that they had this pre-written and ready to go.
How fitting that a company accused of being tone deaf would be so tone deaf as to so blatantly not read the article that they are dismissively responding to. The management at Bioware either naively thinks that this response is going to pull the public to their side, or they are so deep in denial that they don’t see how bizarre the response comes off as.
Source: Kotaku
Electronic Arts Lays Off 350
Electronic Arts today announced that 350 positions will be cut from the company as part of a reorganizational effort to “meet the needs of our players.” In addition, the publisher plans on ramping down its operations in Russia and Japan. The entirety of the announcement by CEO Andrew Wilson has been posted below.
Today we took some important steps as a company to address our challenges and prepare for the opportunities ahead. As we look across a changing world around us, it’s clear that we must change with it. We’re making deliberate moves to better deliver on our commitments, refine our organization and meet the needs of our players. As part of this, we have made changes to our marketing and publishing organization, our operations teams, and we are ramping down our current presence in Japan and Russia as we focus on different ways to serve our players in those markets. In addition to organizational changes, we are deeply focused on increasing quality in our games and services. Great games will continue to be at the core of everything we do, and we are thinking differently about how to amaze and inspire our players.
This is a difficult day. The changes we’re making today will impact about 350 roles in our 9,000-person company. These are important but very hard decisions, and we do not take them lightly. We are friends and colleagues at EA, we appreciate and value everyone’s contributions, and we are doing everything we can to ensure we are looking after our people to help them through this period to find their next opportunity. This is our top priority.
Source: EA
Falling Out #5: The Best Laid Plans
Anthem Is Hard-Crashing On Playstation 4
Anthem on PS4 may be more of a hazard than previously known.
A growing number of users on the official Reddit have begun reporting issues regarding Anthem not just crashing, but completely shutting down their Playstation 4. The thread has garnered a number of confirmations from other players noting that the system treats the shutdown as though the player had pulled the power cable.
“When encountering a crash or game error, sometimes I get booted to the main menu or out of the game completely to the PS4 dashboard. But twice now when trying to matchmake my PS4 has completely turned off. Don’t worry about the loot patch ffs, sort the bugs out first please”
For their part, Sony is apparently still denying refunds to a large portion of people despite the game being broken, possibly to the extent of risking damage to consoles. EA/Bioware are apparently aware of the problem but have not released a statement.
Source: Reddit
Falling Out #2: The Ghost of Christmas Obvious
Given the history of Electronic Arts, the only thing I’m worried about is the date on the gravestone being too far into the future.
Scenery © 2012-2013 Julien Jorge <julien.jorge@stuff-o-matic.com>
Gravestones: Carlo Enrico Victoria (Nemisys) & Tuomo Untinen, Casper Nilsson, Barbara Rivera
(Via Open Game Art)





