Video game – MMO Fallout

Talks of unionization in the gaming industry and wider tech sector have been stewing for years, but it looks like real efforts are finally going to be made to push for widespread bargaining efforts following talks between the CWA and Game Workers Unite, an organization pushing for the creation of union to protect workers rights.

The gaming industry has become rather well known for its exploitative habits, with employees forced to work long hours often upwards of 100-hour weeks for months on end in what some industry CEOs have proudly called “crunch” period. Developers generally have rather poor job security with major waves of layoffs coming after big video game launches and in cases like Activision at the start of 2019 after simultaneously reporting record profits and congratulating their executives with big bonus checks. Companies like Google and Riot were shaken by walkouts in response to how accusations of sexual misconduct and discrimination were handled.

Organizers hope for better working conditions and corporate ethics. MMO Fallout will keep an eye on the situation as it progresses.

Source: LA Times

Ubisoft’s Stock Drops Following Ghost Recon Disappointment

This week Ubisoft announced that it would be dramatically scaling back income expectations following the “very disappointing” reception and sales of Ghost Recon: Breakpoint. The latest game in the Tom Clancy franchise left both gamers and critics angry over the abundance of game-breaking bugs as well as what was perceived to be an egregious reliance on over-monetization of various aspects of the game.

In the time since that announcement, Ubisoft’s stock prices have plummeted both in the United States as well as in France. Ubisoft’s NASDAQ listing dropped from $12.60 on Monday to a low of $10.06 before rebounding slightly to $10.35. Bloomberg meanwhile reports that stocks in France fell as much as 29% which brings the year decline to 38%.

In addition to the disappointing reception of Ghost Recon: Breakpoint, Ubisoft announced that all of its major releases for the rest of the fiscal year have been delayed until next fiscal year. Investors were not entirely satisfied by the announcement.

Source: Bloomberg

Editorial: Writers Guild Holds Game Award Hostage, Nobody Cares

The Writers Guild of America has decided to take the video game award portion of its show hostage, and who the hell cares?

In case you weren’t aware, the Writers Guild of America has a video game category of its award show that shows the respect and acknowledgement to great writers in the industry and frankly I can’t finish this sentence with a straight face. In reality, the video game portion of the Writers Guild award show is about as fair as the annual “Hideo Kojima is my best friend” award that Geoff Keighley hands out at The Game Awards every year. Take a gander back at the last ten years of the WGA awards show and you’ll see a common name pop up: Sony.

Yea, Sony and a small handful of other developers are the only people who qualify to be considered for a WG award because to be considered you have to be a Writers Guild writer, and since Sony is generally the only competent writer in the bunch, they have won roughly eight years out of the last ten. After all the Writers Guild Awards is all about recognizing talent, and that means telling those subhumans who don’t pay union dues to take a hike and go [expletive deleted] themselves. Oh and you folks who want to be in the union, good luck getting any representation or respect from your union leaders.

What has the Writers Guild done for video game writers? Two things: Jack and squat. The Writers Guild does not do anything on behalf of video game writers except demand those monthly checks, and furthermore doesn’t even allow them to vote as a full member of the guild because video games aren’t real writing in their eyes. What the Writers Guild wants is dues. They want more dues, and they are holding an award hostage that 99% of the gaming industry doesn’t care about hosted by an organization that many developers/publishers don’t respect, until it gets more cash money. As stated to USGamer:

“There won’t be a Videogame Writing Award in 2020; however, the category will be reinstated when there is a critical mass of videogames covered by the WGA in order to provide a meaningful award selection process.”

Translation: We’re not getting bribed enough to show a paltry amount of attention and hand an award out once a year.

It might seem like I’m angry about the whole ordeal, but I’m not. If anything this move will lose the Writers Guild what few video game centric writers that they have, whose only reason for staying in the union is because that’s what made them eligible for the award. Hell, maybe more of them will realize what a gigantic waste their union dues have been and they’ll make sure to warn other writers not to funnel money into a protection racket.

The Writers Guild is angry that the video game industry is massive, bigger than television and film combined. Not only is it massive, but because the unions ignored the industry during its early formative days as inconsequential trash, it is now too big for the union to put their boot over its neck and demand a ransom. There are hundreds of other game awards that have more prestige, respect, and attention than the Writers Guild. I’m confident that few outside of Sony’s studios care much to check in on the Writers Guild submitting its latest “Sony’s check cleared” award.

Hell even Sony barely seems to care. I took a gander at the websites and press releases for the games that won awards, and good luck finding Sony flaunting their Writers Guild award in promo material. Given the flurry of incoming referrals I see on a weekly basis, MMO Fallout’s editorials have more acknowledgement in the gaming industry than a Writers Guild award.

The Writers Guild pulling out its video game award is like a Twitch streamer who averages three viewers announcing he’ll no longer be streaming because Twitch doesn’t acknowledge its biggest supporters. Nobody. Cares.

UK Reverses Course On Gambling Thanks To EA’s Tone Deaf Argument

Who would have guessed that Electronic Arts worst enemy would be itself? Outside of everyone with a shred of common sense and human decency I can hear you saying, and I get it.

The last we heard from the UK in terms of possible loot box regulations, the Gambling Authority stated that loot boxes are not gambling because there is no real money payout system. Not too long afterward the Digital, Culture, Media, and Sport Committee had a sit down with some representatives resulting in what might be the most embarrassing statements to ever come out of the mouth of the gaming industry. EA’s Kerry Hopkins stated that FIFA’s Ultimate Team packs were “quite ethical and quite fun” while Epic went even deeper into propaganda territory by stating “I would disagree with the statement that Epic makes money from people playing the games.”

Well following a deluge of public comments on the hearing (never let anyone tell you your complaints don’t matter), the DCMS has published its report on immersive and addictive technologies and they are not happy with how Kerry Hopkins conducted herself. In thanking the number of people who came forward with information, the DCMS took time to admonish the industry for its dishonest and unacceptable conduct:

“In contrast, we were struck by how difficult it was to get full and clear answers from some of the games and social media companies we spoke to and were disappointed by the manner in which some representatives engaged with the inquiry. We felt that some representatives demonstrated a lack of honesty and transparency in acknowledging what data is collected, how it is used and the psychological underpinning of how products are designed, and this made us question what these companies have to hide. It is unacceptable that companies with millions of users, many of them children, should be so ill-equipped to discuss the potential impacts of their products.”

In its conclusion, the DCMS has recommended further action be taken by the government in accordance with the 2005 Gambling Act.

“We consider loot boxes that can be bought with real-world money and do not reveal their contents in advance to be games of chance played for money’s worth. The Government should bring forward regulations under section 6 of the Gambling Act 2005 in the next parliamentary session to specify that loot boxes are a game of chance. If it determines not to regulate loot boxes under the Act at this time, the Government should produce a paper clearly stating the reasons why it does not consider loot boxes paid for with real-world currency to be a game of chance played for money’s worth.”

You can read the rather lengthy report at the UK Parliament website here.

Invest In Entropia Online Property, Gain Real World Dosh

In the first half of 2019, gamers will have the opportunity to buy shares in digital property within the game Entropia Universe. The Crystal Palace, which was sold in 2009 to its current private owner, is selling 500,000 shares for the low cost of $1 each. Shareholders receive a proportional cut of the loot collected across all four domes in the form of PED, which can then be converted and cashed out into real world money.

Talk about a game that plays itself.

“The upcoming Crystal Palace shares are one of the many ways that investment-minded players can earn real-world profits from Entropia Universe. With more than a billion microtransactions taking place in Entropia Universe every month, Entropia Universe boasts a yearly Gross Domestic Product of more than $400 million – equivalent to the nation of Tonga. Entropia Universe property sales in the past have broken world records, including the very first virtual property worth more than $1,000,000.”

The Crystal Palace earned an approximate return on investment of 17% this past year.

Source: Entropia Universe

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